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Showing posts with label indie films. Show all posts
Showing posts with label indie films. Show all posts

Thursday, June 19, 2008

Obscure Reference of the MONTH

I have returned after a long hiatus. Lots of shit happening but nothing so consequential and life altering that I was impelled to share it. I am "inspired" given that my stint as a real estate salesperson has welled up this urgency to not think about the short-sighted universe of brokering.

But yet I am. I am brainstorming a new word for the dick-heads orbit in Brokeromeda. (Of course it's not very Budda-like to speak so contemptuously, but I am using that as an avenue to vent, so maybe it's helping my karma).

As of yet, no light bulbs are going off. But I am remembering my invention of "cinemachismo" while I was in film school, of which I am sad to not have entered it officially into the lexicon earlier. I knew there was a word for an invented word or the inventor. It's been irking me the last couple days. So serendipitously, I was cleaning out one of my many email inboxes, and came across this article regarding a man who invented a word, "biophilia."

He is an:
eponym (noun, pronounced ep-uh-nim).

From Dictionary.com:

  1. A word or name derived from the name of a person. The words atlas, bowdlerize, and Turing machine are eponyms.
  2. A person whose name is or is thought to be the source of the name of something.

Sunday, March 4, 2007

The next guy I date:

Should familiarize himself with the term "taken in hand." He also should be able to openly discuss it with me and understand what I mean it to be.

Other essential reads from takeninhand.com:



(Ever since I watched the movie Secretary [with James Spader and Maggie Gyllenhaal; click right photo] when it was released a few years ago, I've become fascinated with this subject. But it was only today that I found out there was name for this kind of relationship.)

Saturday, February 10, 2007

A homage to unplanned pregnancy & Adrienne Shelly

Catch it while you can: Trust (1990) airs on IFC today from 3:30 - 5:20 PM ET. It airs again 2/21/07 at 12:15 PM and 7:05 PM ET. (Those with DVR: now is the time to use it.)




This is a classic Hal Hartley film, starring Adrienne Shelly, a talented actress, and also wife and mother, who was murdered on November 1, 2006. Her untimely death sadly exemplifies the phrase "a life cut short."

In this offbeat comedy, Shelly plays a teenager who gets pregnant and is alienated from her family; she becomes independent and smarter because of it. Martin Donovan, her sexy co-star, is phenomenally intense in this film as well. Albeit his loner character is a touch crazy, he plays such a man. It also stars an early Edie Falco, pre-Sopranos.

Thursday, February 8, 2007

I miss arthouse films...

Forget mainstream, R-rated films. It's the unrated foreign or indie films that I miss the most now that I am a mother, especially now that my son is a very aware toddler. As a single mom struggling with her budget too, it is hard to find an excuse for spending $25+ for just a visit to a far off arthouse movie theatre, not to mention the subway time and fare, and the distinct possibility that grisly popcorn and nuked nachos will not satiate my stomach. Then add the hassle of sneaking in a bottle of seltzer and maybe a Quiznos sandwich. On top of that, try coordinating schedules with an ex-boyfriend-turned-parenting-partner who will babysit for free, only if he can raid your fridge. Last but not least, breast engorgement from staying away from my nursing child too long...

At long last, my cable provider, Time Warner, added an "International Movies on Demand" Channel, an offshoot of the "Indie" section on the general "Movies on Demand" Channel. My prayers were somewhat answered — there are some interesting sounding films listed, but many are years old. If I'm looking for the latest Almodóvar film that was just released on DVD, this is not the channel to search.

Yesterday was my second time ordering a Pay-Per-View movie, and both had been from the "International" Channel. (The first was a French period film, A Song of Innocence, about the life of a wetnurse in the 19th century — excellent and resonant film that could be applied to the politics of mothering and breastfeeding today.) Yesterday, I ordered 1996's The Stendhal Syndrome, a tale of a policewoman in Italy hunting for a serial rapist/killer. It stars Asia Argento, who I have a girl-crush on (she is like a cross between Chloë Sevigny and Angelina Jolie; if I were a dyke I'd totally fuck her — actually all three of them) and Thomas Kretschmann, this blond German up-and-coming hottie, who was in King Kong and The Pianist with Adrien Brody.



It was melodramatic, heavy-handed with the dialogue and acting. It was extremely gory and violent, considering it came from Europe and since it's from 1996, it predates the CSI-TV and Saw-movie series. It was also impressively imaginative in its hallucinatory depiction of an actual Stendhal Syndrome sufferer and the viseral nature of this sociopath's crimes. Asia Argento shows off her dichotomous butch/femme side (which is making her hot in Hollywood action films right now) as an avenging riot grrrl on Thomas Kretschmann's disturbingly sexy sadist with washboard abs (his second-fiddle roles in King Kong and The Pianist did not put him on the map for me). (I did not actually finish the climax of the film because Time Warner's On Demand system can be wonky and block your access to content often, even if your account is in good terms. A frequent topic for me with TW reps on their 24-hour hotline.)



I recommend this film if you're cringe-factor is quite resilient, both to violence and Jean Cocteau-esque European cinematic excess. Also, I recommend you put your child down to sleep for the night or a very long nap.

Thanks for visiting! Stop by tomorrow!

Thanks for visiting! Stop by tomorrow!
A day at the park.

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